Differences – visions of contemporary composition

All things being well, we will be immersing ourselves into the latest offering from the Unexplained Sounds Group sometime tomorrow, for now though to give you a brief flavouring of what’s afoot on their latest gathering of outsider folk via ‘Differences – visions of contemporary composition’ we’ve plucked just two tracks for your discerning ear. Blending ghostly jazz noir apparitions, snake charming mosaics and an artful eeriness that recalls a very young Volcano the Bear impishly relocating the spirit of Miles Davis amid some desert dry arabesque wasteland, strange raven sky drop the delightfully fractured ‘entering the spastic plastic disaster zone’ – an unsettling ghost light that wires itself into the playfully spooked terrains of La Société des Timides à la Parade des Oiseaux – more commonly known as La STOP. Elsewhere here the appearance of Eric Arn with ‘pas d’une helice’ – isn’t there an album kicking around somewhere that I’m sure we’ve seen notices for – we must search out – anyhow this loosely shuffles, stumbles and skirts around the mountain folk blues sonic work bench of John Fahey and Loren Connors, some exceptional string stinging finger plucked craftsmanship afoot here that ought to keep admirers of both David A Jaycock and Scott William Urquhart sufficiently sedated and a swooning. https://unexplainedsoundsgroup.bandcamp.com/album/differences-visions-of-contemporary-composition

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