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Tag Archives: takeshi goto
tales from the attic – volume XVII
now transmitting here….. http://networkedblogs.com/RuKb3
Posted in tales from the attic
Tagged 6&8, astralasia, atom eye, beaulieu porch, beautify junkyards, black tempest, blue giant zeta puppies, crystalline Jacqueline, devils jukebox, frobisher neck, hare and moon band, honey pot, jay tausig, keep Sheila o acid, keys, marijuana deathsquad, marika hackman, mark mcdowell, marklosingtoday, melting ice caps, mordecai smyth, morrisons prophecy, neils children, octopus syng, oliwa, piney gir, quiet marauder, revenant sea, roadside picnic, shadow kabinet, silje leirvik, strange turn, susan balmer, takeshi goto, tales from the attic, the green question mark, trolley, vespero, vibrato, witch finder general OST, worm fam, Yeah st paul
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tales from the attic – missive XVII
Tales from the Attic Volume XVII Revolutions of a 33 and 45 kind. Was it not but a week or two that we promised – nay threatened – to return in double quick time with a spanking new missive. Admittedly … Continue reading
Posted in tales from the attic
Tagged 6&8, astralasia, atom eye, beaulieu porch, beautify junkyards, black tempest, blue giant zeta puppies, crystalline Jacqueline, devils jukebox, frobisher neck, hare and moon band, honey pot, jay tausig, keep sheila on acid, keys, marijuana deathsquad, marika hackman, mark mcdowell, melting ice caps, mordecai smyth, morrisons prophecy, neils children, octopus syng, oliwa, piney gir, quiet marauder, revenant sea, roadside picnic, shadow kabinet, silje leirvik, strange turn, susan balmer, takeshi goto, the green question mark, trolley, vespero, vibrato, witch finder general OST, worm fam, Yeah st paul
Leave a comment
auditory field theory sampler
Stumbled across this little delight whilst writing up the revenant sea / roadside picnic split. Initially available as a freebie label showcase CD accompanying orders placed by subscribers over the summer period, ‘summer sampler’ airs the wares past, present and … Continue reading
the sunday experience 